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The Comfort of Strangers

The Comfort of Strangers

Ian McEwan
$15.95
Publication Date: November 1st, 1994
Publisher:
Anchor
ISBN:
9780679749844
Pages:
128

Description

A vacationing English couple find more than they bargained for, in this inventive and unsettling novel from the Booker Prize winner and bestselling author of Atonement.

Visiting an unnamed city, Mary and Colin attract the interest of Robert, a charismatic older man with a story to tell. But the more they get to know Robert—and his disabled wife, Caroline—the more apparent it becomes that there’s something not quite right about their new friends. A shocking work of violence and obsession, The Comfort of Strangers is Ian McEwan at his very best.

Don’t miss Ian McEwan’s new novel, Lessons.

About the Author

IAN MCEWAN is the critically acclaimed author of seventeen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

Praise for The Comfort of Strangers

"As the best young writer on this island, McEwan's evocations of feeling and place and his analysis of mood and relationship remain haunting and compelling." —The Times (London)

"As always, McEwan manages his own idiom with remarkable grace and inventiveness; his characters are at home in their dreams, and so is he." —The Guardian

"The Maestro." —New Statesman

"McEwan has—a style and a vision of life of his own...No one interested in the state and mood of contemporary Britain can afford not to read him." —John Fowles

"A sparkling and adventurous writer." —Dennis Potter

“McEwan, that master of the taciturn macabre, so organizes his narrative that, without insisting anything, every turn and glimpse is another tightening of the noose. The evils of power and the power of evil are transmitted with a steely coolness, and in a prose that has a feline grace.” —Observer

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