Skip to main content
Order online, pick up your books at the store – we'll email you when they're here!
Close this alert
Edith Wharton: Novellas & Other Writings (LOA #47): Madame de Treymes / Ethan Frome / Summer / Old New York / The Mother's  Recompense / A Backward Glance / "Life and I" (Library of America Edith Wharton Edition #2)

Edith Wharton: Novellas & Other Writings (LOA #47): Madame de Treymes / Ethan Frome / Summer / Old New York / The Mother's Recompense / A Backward Glance / "Life and I" (Library of America Edith Wharton Edition #2)

Current price: $45.00
Publication Date: April 1st, 1990
Publisher:
Library of America
ISBN:
9780940450530
Pages:
1137

Description

Collected in this Library of America volume are no fewer than six of the works of Edith Wharton: novels, novellas, and her renowned autobiography, A Backward Glance. Together they represent nearly a quarter century in the productive life of one of the most accomplished and admired of American writers.

Madame de Treymes (1907) is set in fashionable Paris society, where a once free-spirited American woman is trying to extricate herself, with the help of a fellow countryman, from her marriage to an aristocratic Frenchman. 

Such a village is the scene of Ethan Frome (1911), a tale of marital entrapment even more relentless. Ethan’s unhappy marriage and his desperate love for his wife’s cousin Mattie drive him to an act of shattering violence. The magnificent coda is a classic of American realistic fiction.

Set in the same region of the Berkshires, Wharton called Summer (1917) “the Hot Ethan.” It is the story of a young woman’s initiation into the intricate sexual and social mores of a small town—and her revolt against them. 

Observations of the American scene continue in the four novellas that make up Old New York (1924). They take us from the 1840s of “False Dawn,” where a young man is ostracized for his avant garde taste in art, to the 1870s of “New Year’s Day,” where a domestic scandal unfolds. 

The poignancies of parenthood are also the theme of The Mother’s Recompense (1925). Kate Clephane, a divorced woman who has been living in Europe, returns to New York to find her former lover engaged to her daughter—and to face the emotional tangles of this unusual triangle. 

The fullest portraits of New York are saved for A Backward Glance (1934), one of the most compelling of American autobiographies. Another perspective is offered in “Life and I,” an autobiographical fragment that shows a younger Wharton writing with great frankness about her early life. It is published here for the first time.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

About the Author

Edith Wharton (1862-1937) is a central figure in American literature, a masterful chronicler of her age and prolific writer in many modes. Her major works include The House of Mirth (1905), Ethan Frome (1911), The Custom of the Country (1913) and The Age of Innocence (1920), for which she received the Pulitzer Prize, the first awarded to a woman.

Cynthia Griffin Wolff, volume editor, is professor of Literature emerita at the Massachusetts Institute of Technology and the author of A Feast of Words: The Triumph of Edith Wharton.

Praise for Edith Wharton: Novellas & Other Writings (LOA #47): Madame de Treymes / Ethan Frome / Summer / Old New York / The Mother's Recompense / A Backward Glance / "Life and I" (Library of America Edith Wharton Edition #2)

“The Library of America has now followed its initial Wharton collection, containing the major novels, with a second one devoted to her shorter fiction and autobiographical writings. . . . Edith Wharton’s triumph as an artist is finally that her personal quest for identity became the basis for a larger vision. Cynthia Griffin Wolff traces the writer’s evolution from emotionally disenfranchised child to completely realized novelist.” New York Newsday